Synopsis
On the verge of summer before his senior year, Jay is a soft soul in a world of concrete. While his older brother is everything people expect a man to be–tough, athletic, and in charge–Jay simply blends into the background to everyone, except when it comes to Leroy.
Unsure of what he could have possibly done to catch the eye of the boy who could easily have anyone he wants, Jay isn’t about to ignore the surprising but welcome attention. But as everything in his world begins to heat up, especially with Leroy, whispered rumors over the murder of a young Black journalist and long-brewing territory tensions hang like a dark cloud over his neighborhood. And when Jay and Leroy find themselves caught in the crossfire, Leroy isn’t willing to be the reason Jay’s life is at risk.
Dragged into the world of the Black Diamonds–whose work to protect the Black neighborhoods of Savannah began with his father and now falls to his older brother–Leroy knows that finding out who attacked his brother is not only the key to protecting everyone he loves but also the only way he can ever be with Jay. Wading through a murky history of family trauma and regret, Leroy soon dis-covers that there’s no keeping Jay safe when Jay’s own family is in just as deep and fighting the undertow of danger just as hard.
Now Jay and Leroy must puzzle through secrets hiding in plain sight and scramble to uncover who is determined to eliminate the Black Diamonds before someone else gets hurt–even if the cost might be their own electric connection.
The Good
I. Black queerness is front and center.
II. Love is a major theme in the story.
There is a representation of Black love across the board: community, family, between Black men (platonic and romantic), Black men loving and being loved/desired, and more.
III. Merging of spheres that are usually made to seem at odds with each other – Black queerness & gangs and certain representations of Black masculinity.
IV. Variety in Black guys
This is the most Black guys I have seen represented in a ya book in a long time.
V. Story is a space that centers Blackness.
The Bad
I. So much plot and characters with little build up.
II. A lot of telling not enough showing.
-Who are any of these characters? We are told who they are, but we are not shown who they are.
III. Story jumps around.
IV. Could this have been tighter and shorter story?
V. Heavily romance to point everything feels like a background to the romance/love. At a certain point I was tired of talking about love in a way that I felt lacked depth or umph.
Thoughts
I. Comparison to Angie Thomas and Jason Reynolds
Looking at the comps helped me to understand the story on its own.
In what way does this story compare to Angie Thomas or Jason Reynolds? Is it in tone, subject matter, or in another way? The tone/voice of Pritty does not give either Angie Thomas or Jason Reynolds to me.
II. Is the story for a mature audience?
Constantly thinking about what has been said about the place young readers (teens) are at it makes me assess if books fit the age range they are for.
A. It has longer chapters. The Hate U Give has long chapters too.
B. The tone is more mature because of how it is written?
Does use of AAVE make this story more accessible to young readers?
III. Is there an emerging trend of these angsty or dramatic type of romances?
IV. Language & N-word.
When is the last young adult (or adult) book I read that has characters using the n-word? Is there representation being lost when there are not many books with Black characters using it? Then again how do you edit and review (use of n-word & AAVE) when majority of editors/agents/people in publishing are not Black?
V. This coulda been…:
A. Fantasy or horror or speculative – At a certain point in story one of the characters said something that made me think about story possibly shifting into fantasy. It would have been interesting with the gangs & magic.
B. Comic – Saw a bit of the Pritty Kickstarter and if this was a comic, I think so much would have gone down better.
I received this for review from Epic Reads