87: The Search for Us

Synopsis

Two half-siblings who have never met embark on a search together for the Iranian immigrant and U.S. Army veteran father they never knew.

Samira Murphy will do anything to keep her fractured family from falling apart, including caring for her widowed grandmother and getting her older brother into recovery for alcohol addiction. With attendance at her dream college on the line, she takes a long shot DNA test to find the support she so desperately needs from a father she hasn’t seen since she was a baby.

Henry Owen is torn between his well-meaning but unreliable bio-mom and his overly strict aunt and uncle, who stepped in to raise him but don’t seem to see him for who he is. Looking to forge a stronger connection to his own identity, he takes a DNA test to find the one person who might love him for exactly who he is―the biological father he never knew.

Instead of a DNA match with their father, Samira and Henry are matched with each other. They begin to search for their father together and slowly unravel the difficult truth of their shared past, forming a connection that only siblings can have and recovering precious parts of their past that have been lost. Brimming with emotional resonance, Susan Azim Boyer’s The Search for Us beautifully renders what it means to find your place in the world through the deep and abiding power of family.

The Good

I. Family is the center of the story – parents, siblings, different type of families (stepping in take care of grandchildren or nieces/nephews).

B. Different point of views enhanced the story

C. Family messiness but also humanization

D. Fact that the story let there be actual family fallout and reconciliation.

E. Represented overachieving, intergenerational trauma, alcoholism, and more

F. Wrap up of overall story

Thoughts

I. Cover

Has the illustrated cover been associated with romance so much that seeing this cover makes you think they are romantic partners instead of siblings? Is the centering of romance detrimental to ya age category in some ways? Does centering romance make it easier to erase family and adults from stories?

II. Intergeneration trauma

A. Getting vibe that people want to hold the trauma that their ancestors experienced against them like it is a sin or their ancestors’ fault.

B. Teens/kids & trauma: It is interesting that many dismiss ya when so much of the trauma manifesting in adulthood is from childhood/teenage phase of life. There is probably something about the push to erase adults/family from stories when so much of trauma is family related.

C. Adults are humans with trauma and flaws which is forgotten when this discussion comes up.

D. Trauma is sad.

III. Miscellaneous

A. Overachieving- being the responsible one does something to people. It can become a toxic trait making one think that everyone is incompetent. Also, it can make you mean and bossy. None of that negates the fact that you should not be taking care of everything while everyone else does nothing/little.

B. Henry uncle/dad got off easy. He was on a bigot arc but I am happy the story did not focus on that because it would have taken precedence over everything else in the story.

IV. If you liked this I would recommend Forgive Me Not by Jennifer Baker

(image and synopsis from goodreads)

I won this from St. Martins Press via goodreads


88: Keynan Masters and the Peerless Magic Crew & Thoughts (A Bit Spoiler on the End)

Synopsis

Keynan Masters doesn’t know the truth about Peerless Academy. He thinks it’s just a fancy art school that can’t teach him anything he doesn’t already know (how to write fire poems) and won’t solve his problems (the massive storms that threaten his home and family).

But Peerless is not what it seems…

Secret passageways. Unexplainable portals. Mysterious disappearances. Keynan and his new friends discover that the school is trying to contain a corrupt magic—a magic that gets churned up when Keynan starts putting his poetry to rhythm.

Can Keynan and his friends prevent the magic from destroying the school—and the world?

The Good

I. World – mix of science fiction and fantasy, the creatures, small town vibe at beginning, magic system/rules

Seeing cultural references made me feel like I am in the authors creativity.

II. Black voice in story

III. Ending

Left a lot to be explored, questions to be answered, and me wanting more

IV. Good themes for young readers – you need people/community.

The Bad

I. Pacing – story went on a while rehashing things and not progressing the story.

II. Could more have been done to make everything come together cohesively?

III. Not enough was done to let reader get a connection/feeling for individual characters.

IV. Did the story feel like it lacked whimsy at least in first third?

Thoughts

I. Ranking

A. How is Keynan Masters ranking amongst middle grade books I’ve read?

B. Type of magical systems and schools that Black authors are creating specifically with middle grade: Amari and Night Brothers, A Taste of Magic, Tristan Strong Punches A Hole in the Sky, etc.

II. Is a lot of the magical expression in this book on the quiet side because this is the first in a series? Are we really going to see the magic in its fullness in the second book in this series?

III. Amari – is a girl character in Children of Blood and Bone & Amari and the Night Brothers while in Keynan Masters Amari is a boy character (which did not keep getting me throughout the novel at all).

IV. Is the author of Keynan Masters a pantser?

V. Age range- Is this a good story for middle graders/target audience of this book? Does this read younger like a chapter book? Is this a good thing? Does it actually read young or is certain factors making it seem young to me (being an adult/reading so much ya/adults aging up certain age categories since adults read them)? Should this book have been shorter 50 or so pages?

VI. Mini-adults & magic rant: Adults be talking bad to these kids that they (the adults) expect (not need) to fix these broken worlds. If kids can band together and fix worlds why can’t the adults..? Then again adults are useless.

VII. Individualism/chosen one/token main character who is inherently all powerful & is going to be center of narrative vs missing the contribution of band/group fighters. There is a message in here about community and how being chosen one/main character can make you a bit selfish and arrogant. It is tough because it still felt like Keynan powers are more powerful than everyone else’s.

VIII. Spoiler comments?

Maybe we could fix the magic if we have more than 3 students practicing magic or the adults doing more

I won this from Inkyard Press via bookishfirst